- Hitchcock Meets Kierkegaard: Selfhood and Gendered Forms of Despair in Vertigo and The Sickness unto Death
- On Fear and Trembling’s Motif of the Promise: Faith, Ethics and the Politics of Tragedy
- Johan Ludvig Heiberg’s “Literary Winter Crops” and Kierkegaard’s Polemic
- Of Clairvoyants and Mousvoyants: Kierkegaard’s Polemic against Speculative Philosophy in the “Telegraph Messages”
- The Mutiny of the Pseudonyms in the Kierkegaardian Authorship
- The Faust Project in Kierkegaard’s Early Journals
- Section 4: Kierkegaard’s Authorial Strategies
- Between the Two Ethics: Why Assessor Wilhelm is not a Judge
- Narrative Variation and the Mood of Freedom in Fear and Trembling
- Know Yourself in the Mirror of the Word: Kierkegaard on Self-Knowledge
- Kierkegaard and Beauvoir: Existential Ethics as a Humanism
- The Ambiguity of Mimesis: Kierkegaard between Aesthetic Fantasy and Religious Imitation
- Section 2: Kierkegaard’s Sources and Historical Context
- „Mein Bestreben, das Martyrium zu verherrlichen…“ Zur Idee des Martyriums in Kierkegaards Journalen ab 1846
- A Christian Art? Søren Kierkegaard’s Views on Music and Musical Performance Reconsidered
- Section 5: Primary Texts in Translation
- Does Kierkegaard’s Rewritten Parable of the Good Samaritan Leave the World to the Devil? Kierkegaard and Adorno on What it Means to Love one’s Neighbor in the Modern World
- Section 3: Receptions and Reflections of Kierkegaard’s Thought
- Double Consciousness and Despair: Exploring a Connection Between Søren Kierkegaard and W.E.B. Du Bois
- Section 1: Problems and Perspectives in Kierkegaard’s Authorship