- Your Tongue Here (Or Not): On Imagining Whether To Take a Bite (Or Not)
- Stay with Me: Uncertain Indices and Attentional Presence in Chat Interfaces
- Kant’s “Aesthetic Idea”: Towards an Aesthetics of Non-Attention
- Nothing to See? Paying Attention in the Dark Environment
- Note on Contributors
- Multiple Identities of Borderline Cases in Art
- An Art for Art’s Sake or a Critical Concept of Art’s Autonomy? Autonomy, Arm’s Length Distance, and Art’s Freedom
- #Filterdrop: Attending to Photographic Alterations
- The Paradigm of the Creative Industries: Cultural Policy in the Neoliberal Welfare State
- Attention Disorders Between Impairment and Ferality: Towards a Political Aesth-Ethics of Dismantlement
- Silence! The Background of Attention as a Battleground
- Infrastructural Poetics in Yahya Hassan and Shadi Angelina Bazeghi
- A Free Art Calls for a Free Society: On the Freedom of Art and Autonomy as Project
- Keeping the War Outside the Frame: Ellipsis as a Means of Redirection Toward Women’s Perspectives in Two War Narratives
- Critique of the Power of Prophecy
- Artists and the Public’s Attention Since the 1960s: An Exploration of How Artists Seek to Capture the Audience’s Attention
- Attention and Aesthetic Value
- Introduction: Critique of the Freedom of Art: A Counter-Report
- On the Performativity of Disinterested Attention for the Experience of Contemporary Art
- Attention, Affect, and Aesthetic Experience
- Introduction: The Aesthetics of Attention
- Housing Reform and the Ghetto Law in the Time of Covid
- The Melodrama of Possessive Agency
- Watching the City with Pleasure
- Changing Gellerup Park
- Entangled Archives
- Elements Matter
- Temporality of Suspension
- Aesthetic Relations
- SIANNE NGAI: THEORY OF THE GIMMICK
- AN APOLOGETIC PRAISING OF DERRIDEAN DECONSTRUCTION
- A HETEROGLOSSIA OF BIG DATA KNOWLEDGES
- THE CONCEPTUAL AND HISTORICAL CONTEXT OF DANISH ARTIST JOHANNES WIEDEWELT
- APPRECIATING COVERS
- AESTHETIC SENSIBILITY IN THE WORLD OF POLITICS
- MOVING ARCHITECTURE
- POLITICAL AESTHETICS OF URBAN ENCOUNTERS
- MUSICAL COMPOSITIONS AND FRACTURES
- WHY PRESERVE?
- WORKING BY THE NUMBERS
- A Lesser Being. From Louis Marin to Simondon and Back
- The Algorithmic Apparatus of Neo-Colonialism: Or, Can We Hold “Operational Images” to Account?
- Inhabiting the Hyper-Aesthetic Image
- The Plant and the Person
- Towards a General Iconomy
- Screening Absence
- Iconomy, Iconoclash ≠ Iconomics
- Necropolitical Screens: Digital Image, Propriety, Racialization
- Forever Inside Images
- The Culling of Photographic Images
- The Diagrams of AI (Image)
- How Technológos “Responds” to What Used to Be Called “Images”
- Talisman-Images
- Ontology of an Image
- Image Agents
- The General’s Stork
- From Copilia to Anywhen
- Affordances of the Networked Image
- Sensitive Content
- Could Deep Fakes Uncover the Deeper Truth of an Ontology of the Networked Images?
- White Seeing-Space
- Ambient Images
- Images Do Not Take Sides
- The Event-Shaped Hole, and the Photographic Image
- Image-Sections: The Evidentiary Capacity of Images to Sample the Lifeworld and Have an Operative Life
- What Is an Image?
- Questionnaire on the Changing Ontology of the Image
- THE FINANCIAL REGIME
- SENSIBILITY AND SEMIO-CAPITALISM – A BODILY EXPERIENCE OF CRISIS IN URSULA ANDKJÆR OLSEN’S THE CRISIS NOTEBOOKS
- MONEY AS FRAME
- REVOLUTION OR DIVERSITY? AESTHETIC AND POLITICAL MANIFESTATIONS OF CLASS IN THREE SWEDISH RADICAL PICTUREBOOKS FROM THE 2000S AND 2010S
- SPECTRAL MEMORIES: AESTHETIC RESPONSES TO THE FINANCIAL CRASH IN ICELAND 2008
- MARX ET CO REVISITED. REPRESENTATIONS OF THE ECONOMY IN RALF ANDTBACKA’S WUNDERKAMMER (2008)
- FULL AUTOMATION IN ITS INFANCY: THE SITUATIONIST AVANT-GARDE BOOK FIN DE COPENHAGUE
- ANYBODY LIVING A PRIVATE LIFE IS A BELIEVER IN MONEY. GERTRUDE STEIN, THE GREAT DEPRESSION, AND THE ABSTRACTION OF MONEY
- THE RIGHT TOOLS FOR THE JOB: THE RIGHT JOB FOR OUR TOOLS
- INTRODUCTION: AESTHETICS OF FINANCE
- EXPLORATIONS OF THE LANDSCAPE
- NOTE ON CONTRIBUTORS
- AN AESTHETICS OF THE METAINTERFACE
- WHAT IS ‘DIGITAL DYNAMICS’?
- DIGITAL MUSIC USE AS ECOLOGICAL THINKING: METADATA AND HISTORICISED LISTENING
- THE VERTICAL CITY: APPROACHES TO THE SKYSCRAPER CITY AS PHENOMENOLOGICAL SPACE AND SEMANTIC FIELD
- MONOLITH IN A HOLLOW: PALEOFUTURISM AND EARTH ART IN STANLEY KUBRICK’S 2001: A SPACE ODYSSEY
- WINCKELMANN’S APOLLO AND THE PHYSIOGNOMY OF RACE
- THE PROPERTY OF KNOWLEDGE
- SHRINK TO EXPAND: THE READYMADES THROUGH THE LARGE GLASS
- THE SECOND HALF OF THE READYMADE CENTURY (1964–)
- “THERE IS NO PROGRESS, CHANGE IS ALL WE KNOW.” NOTES ON DUCHAMP’S CONCEPT OF PLASTIC DURATION
- CONNECTING THREADS: DUCHAMP’S READYMADES AND LARGE GLASS PROJECT IN CONTEXT, 1913—14
- “THAT VERY FUNNY ARTICLE,” POLLYPERRUQUE, AND THE 100TH ANNIVERSARY OF DUCHAMP’S FOUNTAIN
- THE STORY OF FOUNTAIN: HARD FACTS AND SOFT SPECULATION
- UNCONTROL ON RUBEN ÖSTLUND’S FORCE MAJEURE
- THE PROMISE OF THE INDEX IN CONTEMPORARY DOCUMENTARY PERFORMANCE
- ESSAY: THE KUNSTWOLLEN OF THE SCIENTIFIC ERA AND ALOIS RIEGL’S STIMMUNG
- THE HOBBESIAN TURN
- REVIEW: JULIA SCHLEIS ET AL., EDS., CONTEMPORARY RUINS / RUINEN DER GEGENWART
- REVIEW: ELSE MARIE BUKDAHL, THE RECURRENT ACTUALITY OF THE BAROQUE
- “PLEASE LEAVE A MESSAGE”: THE MEDIA ECOLOGY OF RUBEN ÖSTLUND’S PLAY, FORCE MAJEURE, AND THE SQUARE
- FAMILY FRAMING AND THE COMEDY OF CONVENTIONS IN RUBEN ÖSTLUND’S FORCE MAJEURE
- CONFLICTS OF GESTURES, CONFLICTS OF IMAGES
- HOW TO FRAME EDIBLE ART
- CARTESIAN SUBJECTS LOST IN THE ALPS REFLECTIONS ON RUBEN ÖSTLUND’S FORCE MAJEURE
- CONTRIBUTORS
- REVIEW: RICHARD SHUSTERMAN, THE ADVENTURES OF THE MAN IN GOLD. PATHS BETWEEN ART AND LIFE
- REVIEW: PIERRE KLOSSOWSKI, LIVING CURRENCY
- AESTHETICS AND JUDGMENT: “WHY KANT GOT IT RIGHT”
- THE AESTHETICISATION OF TASTE, A CONSEQUENCE OF THE “AESTHETICISATION” OF BEAUTY
- THE ORIGINS OF THE TRANSCENDENTAL JUSTIFICATION OF TASTE: KANT’S SEVERAL VIEWS ON THE STATUS OF BEAUTY
- FROM HUME’S “DELICACY” TO CONTEMPORARY ART
- TASTE AND OTHER SENSES: RECONSIDERING THE FOUNDATIONS OF AESTHETICS
- DISTINCTION AND DIFFERENCE: REVISITING THE QUESTION OF TASTE
- THE LIMITATIONS OF THE EXCULPATORY CRITIQUE: A RESPONSE TO MIKKEL BOLT RASMUSSEN
- A NOTE ON SOCIALLY ENGAGED ART CRITICISM
- FROM THE MOUTH OF SHADOWS: ON THE SURREALIST USE OF AUTOMATISM
- PHOTOGRAPHY CLICHÉS: ON BAUDELAIRE’S MEDIA AESTHETICS AND THE MECHANICAL ARTS
- EMPTY THE MUSEUM, DECOLONIZE THE CURRICULUM, OPEN THEORY
- Lars-Olof Åhlberg, Notions Of The Aesthetic And Of Aesthetics: Essays On Art, Aesthetics, And Culture
- A Precarious Construct: The Commission As A Curatorial Mode Of Inquiry
- Knut Ove Eliassen: Foucaults Begreper
- Is There Really A Puzzle Over Negative Emotions And Aesthetic Pleasure?
- Zoltan Somhegyi: Mother Nature’s Exhibition: On The Origins Of The Aesthetics Of Contemporary Northern Landscapes
- Nikos Papastergiadis: The Cultures Of The South As Cosmos
- Architecture, Art, And Moderate Moralism