- “THE BEST DOCTOR FOR MY SOUL”
- “THERE IS A PLACE WHERE TERROR IS GOOD”
- JUDGMENT AND SHOCK ESTHETIC IN THE TWITTER AGE
- NEOLIBERAL EPISTEMOLOGY AND THE TRUTH IN FAKE NEWS (SELF-WRITING/SELF-ENTERPRISE/SELF-CONTROL)
- REIFICATION
- “I LOOKED OUT AND NATURE WAS GONE”
- NO LESS POETRY THAN THOUGHT
- EDITORIAL INTRODUCTION
- MEDIEVAL CULTURES AND MODERN CRISES
- THE READABILITY OF IMAGES (AND) OF HISTORY
- HE OR SHE WHO GLIMPSES, DESIRES, IS WOUNDED
- PHASMID THINKING
- RE-IMAGINING THE “LOSS OF PLACE”
- CRITICAL IMAGE CONFIGURATIONS
- THE PEOPLE-IMAGE
- EYES WIDE OPEN
- IMAGES RE-READ
- SEARCHING FOR FIREFLIES
- IMAGE, LANGUAGE
- LA DAMA DUENDE [THE PHANTOM LADY]
- BLANCHOT AND SOUND
- THE HOMAGE TO DEBUSSY AT THE THÉÂTRE DES CHAMPS-ELYSÉES
- FROM DIALECTICS TO THE DIABOLICAL
- WHITE NOISE, ÉCRITURE BLANCHE
- PASSIVE NOISE
- AESTHETIC AUTOPHONY AND THE NIGHT
- AFFECTS, INDEXES AND SIGNS
- DISPERSION IN SOUND
- BLANCHOT AND THE RESONANT SPACES OF LITERATURE, SOUND, ART AND THOUGHT
- IN THE ABSENCE OF NOISE, NOTHING SOUNDS
- THE CALL OF THE DISASTER AT THE BORDERLAND OF SILENCE
- SONIC BOOMS IN BLANCHOT
- RUMORS OF THE OUTSIDE
- ORPHEUS AND THE VANISHING NOTE
- notes on the contributors
- SOUNDS OF DISASTER
- “MAKING REASON THINK MORE”
- AN INTERVIEW WITH LUCE IRIGARAY ON THROUGH VEGETAL BEING: TWO PHILOSOPHICAL PERSPECTIVES AND SEXUATE DIFFERENCE
- HOMO SACER DWELLS IN SARAMAGO’S LAND OF EXCEPTION
- DIALECTICS IN TURMOIL
- THE DOG AND THE PARAKEET
- TOWARDS AN ETHICS OF SHAME
- LOVE’S LESSONS
- BODIES AT LIBERTY IN KATHY ACKER’S DON QUIXOTE
- MICHEL FOUCAULT, FRIEDRICH KITTLER, AND THE INTERMINABLE HALF-LIFE OF “SO-CALLED MAN”
- THE SPECTACULAR ANTHROPOCENE
- RETHINKING BEGINNINGS AS SUBJECTIVE LOSS IN NARRATIVE AND THE THEATRE
- DIGITAL CINEMA AND ECSTATIC TECHNOLOGY
- GENERAL ISSUE 2017