- Everything Old is “Neo” Again
- The Plasticity of Race
- General Issue I 2022
- Love Among the Ruins
- The Emergence of a New Human Being
- Perfection and Disaster
- The Howl of the Earth
- Time After Time
- Metaphysics, Science, and Literature
- Rhythm and Signification
- Walter Benjamin and the Acoustics of Childhood
- Eerie
- “SCREAMING IN DELIGHT”
- RESTAGING RESPECTABILITY
- THE AFTERS AND NOW OF MODERNISM
- A GRAMMAR OF MODERN SILENCE
- notes on the contributors
- “IN THE CENTRE OF OUR CIRCLE”
- INDIGENISMO AND THE LIMITS OF CULTURAL APPROPRIATION
- AFTER MODERNISM
- SHREDDING, BURNING, TUNNELLING
- DREAM*HOPING INTO FUTURES
- THE BLACK WOMAN’S MASK
- THE “WHITE DARKNESS”
- RETHINKING THE LIBERIAN PREDICAMENT IN ANTI-BLACK TERMS
- GENDER AND RACE IN THE MODERNIST MIDDLEBROW
- DOUBLINGS AND DISSOCIATION IN NELLA LARSEN’S PASSING AND HELEN OYEYEMI’S BOY, SNOW, BIRD
- FASHIONING MODERNISM
- THE KINGDOM OF GHOSTS
- TALKING LIKE A PLANT
- CAN THE SUBALTERN BE WITNESSED?
- THE WHITE ALBUM
- ACTIVATING AFFECT AURA THROUGH ART
- POSTGENOMIC WITNESSES
- WITNESSING AFTER THE HUMAN
- BEARING WITNESS TO TRAUMATIC MEMORY
- READING HISTORY AGAINST THE STATE SECRET
- SCARRED TREES AND BECOMING-WITNESS
- THE FRAMELESS LIFE
- THE UNDYING
- SCANDALOUS DEATH
- AFTER LIFE
- DYING ONE’S OWN DEATH
- THE ANTINOMY OF DEATH
- BEING, DEATH, AND MACHINATION
- THE SECOND DEATH
- TO LIVE AND DIE IN HISTORY
- THE AFFIRMATION OF DEATH
- JEAN-LUC NANCY’S ETHICS OF FINITUDE
- MAKING SENSE WITH DEATH
- BEING TOWARD DEATH (THAT HAS ALREADY HAPPENED)
- FÉLIX GUATTARI AND THE HIGHWAYS OF MEMORY
- SARTRE’S CRITIQUE OF DIALECTICAL REASON AND NEW MATERIALISM
- BECOMING POST-HYSTERIC
- ART AS PHARMAKON
- “ABOVE AND BEYOND THE MARKET”
- PHYSIS
- GENERAL ISSUE II 2021
- AN INSOLUBLE ENIGMA?
- PREGNANT PAUSE
- THE PHILOSOPHER’S FAMILY