- Introduction: The Surfaces of Film-Philosophy
- Surface Contact: Film Design as an Exchange of Meaning
- Lights, Camera, Lumino-Politics: Lighting The Searchers, from Paraffin to LED
- Flat Film: Strategies of Depthlessness in Pleasantville and La Haine
- Surfaces of Science Fiction: Enacting Gender and “Humanness” in Ex Machina
- Layered Encounters: Mainstream Cinema and the Disaggregate Digital Composite
- Interpretation, Irony and “Surface Meanings” in Film
- Deconstructing Depth: Proximity and Contemplation in Déjà Vu
- Saige Walton (2016) Cinema’s Baroque Flesh: Film, Phenomenology and the Art of Entanglement
- On the Depths of Surface: Strategies of Surface Aesthetics in The Bling Ring, Spring Breakers and Drive
- Nathan Andersen (2014) Shadow Philosophy: Plato’s Cave and Cinema
- Ilona Hongisto (2015) Soul of the Documentary: Framing, Expression, Ethics
- Shaun May (2016) A Philosophy of Comedy on Stage and Screen: You Have to Be There
- The Art of Attention in Documentary Film and Werner Herzog
- The Sensation of the Look: The Gazes in Laurence Anyways
- Deep Truth and the Mythic Veil: Werner Herzog’s New Mythology in Land of Silence and Darkness
- Lee Carruthers (2016) Doing Time: Temporality, Hermeneutics and Contemporary Cinema
- To See or Not to See: A Wittgensteinian Look at Abbas Kiarostami’s Close-up
- The Creaturely Life of Carol Reed’s Cities: Eric Santner and Walter Benjamin
- Deleuze, Žižek, Spring Breakers and the Question of Ethics in Late Capitalism
- Small Talk and the Cinema: Conversation, Philosophy and the Case of Sullivan’s Travels
- Cinema’s Vital Histories: Wabi-Cinema, Forces and the Aesthetics of Resistance
- A Vision of Blindness: Blade Runner and Moral Redemption
- The Empath and the Psychopath: Ethics, Imagination, and Intercorporeality in Bryan Fuller’s Hannibal
- The Look of Silence and the Problem of Monstrosity
- Experiencing Force Majeure
- Murdoch and Margaret : Learning a Moral Life
- Visualizing the Anthropocene Dialectically: Jessica Woodworth and Peter Brosens’ Eco-Crisis Trilogy
- Guests, Hosts, Strangers: Far From Men and Camus’ Algerians
- Memories of the Unlived Body: Jean-Louis Schefer, Georges Bataille and Gilles Deleuze
- Intra-Diegetic Cameras as Cinematic Actor Assemblages in Found Footage Horror Cinema
- A Body Without a Face: The Disorientation of Trauma in Phoenix (2014) and New Holocaust Cinema
- Carrie Giunta and Adrienne Janus (eds.) (2016) Nancy and Visual Culture
- Robert Sinnerbrink (2016) Cinematic Ethics: Exploring Ethical Experience Through Film
- Fearsome Acts of Interpretation: Audiovisual Historiography, Film Theory and Gangs of New York
- David Deamer (2016) Deleuze’s Cinema Books: Three Introductions to the Taxonomy of Images
- Stanley Cavell on the Magic of the Movies
- Nietzsche on Film
- Daniel Varndell (2014) Hollywood Remakes, Deleuze and the Grandfather Paradox
- John Ó Maoilearca (2015) All Thoughts Are Equal: Laruelle and Nonhuman Philosophy
- Patricia White (2015) Women’s Cinema, World Cinema: Projecting Contemporary Feminisms
- Victor Fan (2015) Cinema Approaching Reality: Locating Chinese Film Theory
- Response to Review of Film Worlds: A Philosophical Aesthetics of Cinema by Swagato Chakravorty
- Daniel Yacavone (2015) Film Worlds: A Philosophical Aesthetics of Cinema
- Cartesianism and Intersubjectivity in Paranormal Activity and the Philosophy of Mind
- ‘Do I feel lucky?’: Moral Luck, Bluffing and the Ethics of Eastwood’s Outlaw-Lawman in Coogan’s Bluff and the Dirty Harry Films
- A World in the Making: Contingency and Time in James Benning’s BNSF
- Deleuze and Kieślowski: On the Cinema of Exhaustion
- Thrilling Objects: The Scales of Corruption in Political Thrillers