- Fiction versus Pretence1
- Examining Hypothetical Intentionalism
- Popular Song and Ethics: Ethical Perspectives and Personal Qualities
- Against Recognizability as a Criterion of Work-Performance
- Motivational Internalism and Disinterestedness
- The Sublime of Consciousness
- Touched by Fashion: On Feeling What we Wear
- Moving for Grace: Motor-Aesthetic Properties and Dance Appreciation
- Epic Theatre as a Form of Platonic Drama
- Retroactive Continuity and Fictional Facts
- Breaking the Fourth Wall and (Meta)Fictional Reference
- Zinger, Clunker, Clanger, Flunker: On Two-Point Comparisons, and Why we Love Them
- Knowledge and the Aesthetics of Nature
- Aesthetic Non-Naturalism
- An Analytic of Eeriness
- Why Delight in Screamed Vocals? Emotional Hardcore and the Case Against Beautifying Pain
- The Chief Business of the True Judges in Hume’s Standard of Taste
- Cinema, Displayed
- Diversity-in-Unity: Art Criticism in Conversation
- (What) Do We Owe Beautiful Objects? A Case for Aesthetic Obligations
- ‘Making-remote’ as an Alternative to Realism in Late Palaeolithic Cave Art: Representations of the Human at the Threshold of Appearance
- Remote Art and Aesthetics: An Introduction
- Distant Dinosaurs and the Aesthetics of Remote Art
- Musical Ontology: Works, Versions, and Lineages
- Culture, Cooperation, and Communication: The Co-evolution of Hominin Cognition, Sociality, and Musicality
- Erasure and Assertion in Body Aesthetics: Respectability Politics to Anti-Assimilationist Aesthetics
- Sounding Sense and Sensing Sound: ‘Form-Content Unity’ Revisited and Reformulated
- Play and Aesthetics in Ancient Greece
- The Iconology of Abstraction: Non-Figurative Images and the Modern World
- Art, ethics, and the relativism of distance
- Art, Ethics, and the Relativism of Distance
- Franz Boas and the Primacy of Form
- The Global Rules of Art: The Emergence and Divisions of a Cultural World Economy
- The dualist character of a garden’s aesthetic properties
- Possessions: Indigenous Art/Colonial Culture/Decolonization (2nd edition).
- Quod significat: Vitruvius’ ultimate criterion for (good) architecture
- Bolzano on aesthetic normativity
- Belgian Solutions
- How can we be moved by magic?
- Wollheim on art’s historicity: an intersection of theoretical art history and the philosophy of art
- Improvisational mistakes
- Painting and Presence: Why Paintings Matter
- Destroyed – Disappeared – Lost – Never Were
- Modeling the Meanings of Pictures
- The role of the performer in Hanslick’s On the Musically Beautiful
- Authority and Freedom: A Defense of Art
- The Landscape of Utopia: Writings on Everyday Life, Taste, Democracy, and Design
- Classics in Western Philosophy of Art
- Aesthetics of Care: Practice in Everyday Life
- Aesthetic Life and Why it Matters
- Arthur Danto’s Philosophy of Art: Essays
- Philosophy of Sculpture: Historical Problems, Contemporary Approaches
- If These Apples Should Fall. Cézanne and the Present
- Taste: A Philosophy of Food
- Why It’s OK to Love Bad Movies
- Value Pluralism in Restoration Aesthetics
- Philosophy and the Art of Writing
- Art and Posthistory: Conversations on the End of Aesthetics
- Human Landscapes: Contributions to a Pragmatist Anthropology
- Speculative Aesthetic Expressivism
- Against Modernism and Postmodernism on Art and Entertainment: A Kristeller Thesis of Entertainment
- On Perspectivism and Expressivism: Response to Nannicelli
- The Heart of Classical Work-Performance
- Poetry, painting, park. Goethe and Claude Lorrain
- Art as Political Discourse
- Enacting a Jazz Beat: Temporality in Sonic Environment and Symbolic Communication
- Questioning Imaginative Resistance and Resistant Reading
- Philosophy, literature and understanding: On reading and cognition
- Kant on the Aesthetic Ideas of Beautiful Nature
- Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love
- Introduction and Precis
- Talk about Pop Muzik: Discussion of Enrico Terrone, ‘Listening to Other Minds: A Phenomenology of Pop Songs’, BJA 60 (2020), 435–453
- Aesthetic Self-Forgetfulness
- The Poem as Icon: A Study in Aesthetic Cognition
- The Audience Effect. On the Collective Cinema Experience
- Moved by Music Alone
- How Museums Make Us Feel: Affective Niche Construction and the Museum of Non-Objective Painting
- The Ethics and Aesthetics of Intertextual Writing: Cultural Appropriation and Minor Literature
- Political Aesthetics: Addison and Shaftesbury on Taste, Morals and Society
- Kant on Aesthetic Attention
- The Whole Picture: The colonial story of the art in our museums & why we need to talk about it
- Radically Rethinking Copyright in the Arts: A Philosophical Approach (New York & London: Routledge, 2021)
- Dancing in Blackness: A Memoir
- Supervenience and Realization: Aesthetic Objects and their Properties
- Artemisia
- Artistic Objectivity: From Ruskin’s ‘Pathetic Fallacy’ to Creative Receptivity
- Opposite: Poems, Philosophy & Coffee
- The Philosophy of Rhythm: Aesthetics, Music, Poetics
- Truth in Fiction, Underdetermination, and the Experience of Actuality
- A Two-Tiered Theory of the Sublime
- Erotic Art as Proprioceptive Art
- Titian: Love, Desire, Death
- Natural Beauty, Reflective Judgment and Kant’s Aesthetic Humanism
- Practice-Centered Pluralism and a Disjunctive Theory of Art
- Aesthetic Experience and the Unfathomable: A Pragmatist Critique of Hermeneutic Aesthetics
- Philosophical Perspectives on Ruins, Monuments and Memorials
- When does Something ‘Belong’ to a Culture?
- White Negroes: When Cornrows Were in Vogue … and Other Thoughts on Cultural Appropriation
- Self-Location in Interactive Fiction
- ‘Andy Warhol’, Tate Modern
- Let’s be Liberal: An Alternative to Aesthetic Hedonism
- Corrigendum to: The Philosophy of Susanne Langer: Embodied Meaning in Logic, Art and Feeling
- Reflective and Non-reflective Aesthetic Ideas in Kant’s Theory of Art
- At the Limits: What Drives Experiences of the Sublime
- Rethinking Role Realism
- Sense and Reference of Pictures
- Relativism and the Metaphysics of Value: A Comment on Daan Evers
- Human Flourishing, Liberal Theory, and the Arts
- What Makes a Kind an Art-kind?
- Listening to Other Minds: A Phenomenology of Pop Songs
- The Art of Tattoos
- The Virtue of Aesthetic Courage
- Jane Austen’s Emma: Philosophical Perspectives
- Herder’s Naturalist Aesthetics
- Art and Form: From Roger Fry to Global Modernism
- Relativism and the Metaphysics of Value
- Edith Landmann-Kalischer on Aesthetic Demarcation and Normativity
- Game, Sports, and Play: Philosophical Essays
- Symbolic Cognition in Poetic Experience: Re-representing the Paraphrase Paradox
- Bacon and the Mind: Art, Neuroscience and Psychology (Francis Bacon Studies I)Francis Bacon: Painting, Philosophy, Psychoanalysis (Francis Bacon Studies II)
- Schiller on Freedom and Aesthetic Value: Part II
- Schiller on Freedom and Aesthetic Value: Part I
- Antisubjectivism and the End of Art: Heidegger on Hegel
- Re-Reading Hanslick’s Aesthetics: Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen
- Fiction and Emotion: The Puzzle of Divergent Norms
- Van Eyck: An Optical Revolution
- Babies Rule! Niches, Scaffoldings, and the Development of an Aesthetic Capacity in Humans
- Intuitions on the Individuation of Musical Works. An Empirical Study
- Emotion and the Communicability of Suffering: Richard Gaskin’s Tragedy and Redress
- A Dilemma for Modest Actual Intentionalism
- Beauty and Sublimity: A Cognitive Aesthetics of Literature and the Arts
- Fatal Prescription
- A Philosophy of Humour
- The Distinctive Character of Musical Experience
- Appropriation Art, Fair Use, and Metalinguistic Negotiation
- Corrigendum to: Does Artistic Value Pose a Special Problem for Time Travel Theories?
- How Literature Delivers Knowledge and Understanding, Illustrated by Hardy’s Tess of the D’Urbervilles and Wharton’s Summer
- One Imagination in Experiences of Beauty and Achievements of Understanding
- The Biology of Art
- Aesthetic Evaluation and Film
- A Philosophy of the Art School
- Imaginative Desires and Interactive Fiction: On Wanting to Shoot Fictional Zombies
- Essays in Literary Aesthetics
- Works of Art and Mere Real Things—Again
- Bodies of Work
- Does Artistic Value Pose a Special Problem for Time Travel Theories?
- Beauty, Ugliness and the Free Play of Imagination
- The Life of Imagination: Revealing and Making the World
- The Value of Popular Music: An Approach from Post-Kantian Aesthetics
- Dancing with Time: The Garden as Art
- The Aesthetic Significance of the Lying-Misleading Distinction
- Our Everyday Aesthetic Evaluations of Architecture
- Sensory Force, Sublime Impact, and Beautiful Form
- Art and Authority: Moral Rights and Meaning in Contemporary Art
- Aptness of Fiction-Directed Emotions
- Creativity and Philosophy
- A Linguistic Specification of Aesthetic Judgments
- An Ontological Justification for Contextual Authenticity
- Feeling for Freedom: K. C. Bhattacharyya on Rasa
- A Tour of the Senses
- LaBeouf, Rönkkö & Turner, Digital Remix, and Group Authorship
- Shared Musical Experiences
- The Ontology of Graphically-Fixed Literature
- Considering Ethics in Dance, Theatre and Performance
- Sophocles: Oedipus The King
- Aesthetic Cosmopolitanism and the Challenge of the Exotic
- Artistic Crimes and Misdemeanours
- Emotion, Fiction and Rationality
- Lying with Pictures
- Some Ideas about the Metaphysics of Stories
- Being for Beauty: Aesthetic Agency and Value
- When Art Can’t Lie
- Authenticity, Misunderstanding, and Institutional Responsibility in Contemporary Art
- The Individual ‘We’ Narrator
- Theodor Lipps: Schriften zur Einfühlung. Mit einer Einleitung und Anmerkungen
- Extreme Intentionalism Modestly Modified
- Dance and the Philosophy of Action: A Framework for the Aesthetics of Dance
- Social Aesthetics and Moral Judgment: Pleasure, Reflection and Accountability
- Imaginative Resistance and Variation
- Aesthetics and the Limits of the Extended Mind
- The ‘Moralism’ in Immoralism: A Critique of Immoralism in Aesthetics
- The Default Theory of Aesthetic Value
- George Kubler and the Biological Metaphor of Art
- Of Primary Features in Aesthetics: A Critical Assessment of Generalism and a Limited Defence of Particularism
- Aesthetic Properties, History and Perception
- Binding and Unbinding the Mondrian Stimulus
- ‘The Most Beautiful Blue’: Painting, Science, and the Perception of Coloured Shadows
- What is Abstraction in Photography?
- On Looking through Wollheim’s Bifocals: Depiction, Twofolded Seeing and the Trompe-l’œil
- Only Imagine? Not Necessarily
- Can a Painting have a Rhythm?
- What is the Uncanny?
- Cinematic Realism: A Defence from Plato to Gaut
- The Anonymity of a Murmur: Internet (and Other) Memes
- No Trouble with Poetic Licence: a reply to Xhignesse
- Surface Noise
- Grounding Aesthetic Obligations
- The Rift in the Lute: Attuning Poetry and Philosophy
- Intentionality and the Aesthetic Attitude
- Fake Views—or Why Concepts are Bad Guides to Art’s Ontology
- Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting and Hume’s Treatise
- Personification without Impossible Content
- Olfaction and Space in the Theatre
- Visuality and Aesthetic Formalism
- Expressivism and Arguing about Art
- Imagination, Music, and the Emotions: a Philosophical Study
- Nahlowsky’s Psychological Aesthetics
- The Value of Literature
- Film, Art, and the Third Culture
- Thought in Action: Expertise and the Conscious Mind
- Four Arts of Photography: An Essay in Philosophy
- Aesthetic Pursuits
- Art, Morality and Human Nature: Writings
- Collaborative Art in the Twenty-First Century
- In Defense of Reading
- Commiserating with Devastated Things: Milan Kundera and the Entitlement of Thinking
- Appearance and History: the Autographic/Allographic Distinction Revisited
- Corrigendum: In Other Shoes: Music, Metaphor, Empathy, Existence
- Gombrich among the Egyptians and Other Essays in the History of Art
- Body Aesthetics
- ‘Nothing but Nonsense’: A Kantian account of ugliness 1
- Notions of the Aesthetic and of Aesthetics: Essays on Art, Aesthetics and Culture
- Wollheim, Wittgenstein, and Pictorial Representation. Seeing-as and Seeing-in
- The Missing Person Found. Part II: Feelings for Pictures
- ‘Call Me Ishmael’: Fiction and Direct Reference
- In Defence of the One-Act View: Reply to Guyer
- ‘It’s Just a Story’: Pornography, Desire, and the Ethics of Fictive Imagining
- Strange Tools: Art and Human Nature
- Eat this Book: A Carnivore’s Manifesto Taste as Experience. The Philosophy and Aesthetics of Food
- Eat this Book: A Carnivore’s ManifestoTaste as Experience. The Philosophy and Aesthetics of Food
- The Missing Person Found. Part I: Expressing Emotions in Pictures
- Non-Fictional Narrators in Fictional Narratives
- How Pictures Complete Us
- Excellent Beauty: The Naturalness of Religion and the Unnaturalness of the World
- Emotional Intimacy in Literature
- Aesthetic Choice
- Art Criticism as Practical Reasoning
- Art and identity: A reply to Stopford
- Peter Kivy and the Philosophy of Music (1980–2002)
- One Act or Two? Hannah Ginsborg on Aesthetic Judgement
- Aestheticism: Deep Formalism and the Emergence of Modernist Aesthetics
- In Other Shoes: Music, Metaphor, Empathy, Existence
- Time in Fiction
- Aesthetics as Philosophy of Perception
- Fictional Characters, Real Problems: The Search for Ethical Content in Literature
- The Possibility of Culture: Pleasure and Moral Development in Kant’s Aesthetics
- Art Rethought: The Social Practices of Art
- The Sublime in Schopenhauer’s Philosophy
- Meanings of Art: Essays in Aesthetics
- De Gustibus: Arguing about Art and Why We Do It
- The Virtue of Subtlety and the Vice of a Heavy Hand
- ‘Pure Showing’ and Anti-Humanist Musical Profundity